全新正品现货 Allen & Heath A&H Qu24 30进/24出 紧凑型数

全新正品现货 Allen & Heath A&H Qu-24 30进/24出 紧凑型数子调音台

Allen & Heath为其Qu系列新推出了一款30路输入/24路输出的紧凑型数字调音台 — Qu-24，其中Qu系列还包括机架式安装的Qu-16。Qu-24的设置（含25个电动推子和数控话放）可全面调用，具有操作直观的触摸屏，内置的多轨录音功能Qu-Drive，用于扩展远程输入/输出及个人监听的dSNAKE网络端口，多通道USB音频流传输至Mac，Qu-Pad控制应用，以及带来出众音质的iLive备受赞誉的效果库。

Qu-24的每个话筒输入通道均设有专门推子，具有24路话筒/线路输入，3组立体声输入，4个效果引擎带有专门的发送和立体声返送，20路混音输出包含2个立体声矩阵混音输出和2个立体声编组，可全面处理，可连接的AES数字输出还带有2通道的ALT输出，此外还包括专门的对讲话筒输入和2-Track输出。

该调音台具有强大的处理能力。高速运行的双核DSP带来全面的通道和效果处理，具有足够的空间用于以后的处理升级和功能提升。五核新一代超高效ARM核心处理器并行运行，带来卓越的性能表现。

Qu-24配备高分辨率(800×480)的全彩色触摸屏，可轻松‘点击通道’直接访问通道处理、效果机架和所有设置和系统管理控制。Qu-24沿袭了iLive的用户界面设计，超级通道条具有控制旋钮，可调节选定通道的主要处理参数，如：增益、高通滤波器、参量均和、门限、压缩器门限和声像。

调音台内置的18通道USB录音设备--Qu-Drive可结合外部U盘一起使用，录制和播放文件格式为.wav的多轨和立体声音频。USB接口可用来保存场景和库数据，以便存档和以后调用。如果在录音室中使用Qu-24，还有一个USB音频32×30的流传输接口用于录音和播放Mac数字音频工作站（DAW）系统。

A&H专有的dSNAKE低延时音频连接可让调音台通过单条Cat5数字蛇连接至远程音频机架，如：AR84或AR2412，而且还能与ME个人混音系统兼容。

机动推子可对混音电平和层之间的切换进行全面调用，可即时访问所有通道和主输出或图示均衡。自定义推子布局可满足特定的应用需求，第三方用户也可对层进行自定义设置。

免费的QuPad应用程序可对调音台的主要参数和设置实现无线控制，让用户对主扩调节，还可调节舞台的监听，甚至还能在观众席对演出进行混音。QuPad应用程序可通过插入以太网控制端口的无线路由器连接至调音台。

24路话筒/混音输入具有犹如水晶般清澈AnaLOGIQ，可全面调取无定制衰减的前级放大器，对纯净透明和低谐波失真进行优化。为保持一贯出色的音质，Qu-24配备了许多专业巡演系列才具有的效果仿真器，如：经典混响，门限混响，延迟和调制器，许多音频工程师都会选择使用这样的效果仿真器以取代高端的插件和外部效果器。

A&H研发总监Rob Clark说：“Qu-24是以获得极大成功的Qu-16的主要特性为基础，是令人期盼的Qu-16的延续产品。在设计过程中，我们致力于保持紧凑的外形，将所有话筒输入放置在一个层，还为较大型的应用设计了外部矩阵、编组和效果发送。”

全新进口正品现货 A&H Qu24 30进/24出 数码调音台

With its responsive touchscreen, 25 motor faders and acclaimed AnalogiQTM recallable preamps, Allen & Heath's Qu-24 combines exceptional ease of use with class-leading audio performance.  Drawing on the technologies and workflow pioneered on their GLD and iLive touring systems, Qu makes Allen & Heath digital mixing more accessible and more compact than ever.

AnalogiQ Preamps

The Qu-24's twenty four AnalogiQ total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency.  The analogue signal is captured by high class, low latency 24 bit analogue to digital converters matched to high quality 24 bit digital to analogue converters to deliver the required outputs.  The AnalogiQ design has been refined over many months to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.

The Mixing Experience

Having massive processing power and advanced functionality is great, but it counts for nothing if you can't access the controls you need in a heartbeat.  Once you start using Qu-24 you'll sense the years of research into ergonomics and the hands-on mixing experience that our team has drawn upon to deliver a wonderfully natural layout and workflow.  It's not about recreating an analogue interface, it's about creating an experience that's fluid, comfortable and intuitive for novices, digital natives and old school road warriors alike, making all the benefits of digital mixing technology readily accessible to all.

Touch Control

The 800 x 480, sixteen million color Touchscreen and its dedicated data encoder form the heart of the Qu interface, providing super-fast, easy access to all settings.  The user-friendly interface has been designed with clarity in mind.  Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.

The SuperStrip

All your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control.  The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures.  Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay.  The main LR and the Mono mixes have controls for Insert, 1/3 octave GEQ, compressor and delay.  The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control.

Fader Automation

Moving faders started as an expensive option in the studio desks of the '80s, and later became the norm with the advent of digital technology.  Nevertheless, some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach.  Fader automation is essential for rapid mixing, especially when you're dealing with multiple monitor mixes – just press a mix key and the faders immediately fly to the send levels for that mix.  The Qu-24 features 25 motorized ALPS faders, 24 arranged over 2 layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection.  A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns and Mix masters can be assigned.

iLive FX

The Qu-24's dynamics and FX algorithms are derived from the FX used in our iLive pro touring series.  Some of the world's most respected audio engineers have chosen to use iLive's FX on tour in preference to top-end plug-ins and external FX units.  The Qu-24 boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more.  The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you're not tying up your mono and stereo input channels.  Each Stereo FX Return has a dedicated 4-band PEQ.

Total Recall

True digital mixing is about being able to save and recall scenes (snapshots) at the press of a button.  The Qu-24 can store up to 100 full Scenes for recall at will.  Channels and mixes can be made Safe from Scene recall.  For example, if an instrument or mic gets swapped out after the soundcheck, the channel can be made safe to avoid settings being overridden by Scene recalls.  Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off, that mix or channel can be made safe from any scene change.  In addition, single parameter updates can be blocked using per scene Recall Filters or a Global Recall Filter.  So if you tweak the graphic EQ to reflect the room response when the audience gets in, you can block this to prevent any overwriting at scene change.  Custom settings for each EQ, compressor, channel or FX can be saved as Library presets.  This lets you store your tried and tested SM58 EQ or reverb pattern and apply it to other channels or shows.  Libraries, Scenes and the complete Show configuration can be saved to a USB key, so you can carry the show with you, ready to use on another Qu mixer.

USB Audio Streaming

The Qu-24's built-in interface streams multitrack audio to your Mac: all mono channels, the Main LR mix and 3 selectable stereo pairs.  The returns from the Mac can be assigned to the Mono channels plus stereo.  The interface is class-compliant on Mac OS X – which means it's truly plug n play, with no need to install a driver.  It will be recognized straightaway by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools.  Standard MIDI control is tunnelled over the USB connection so you can easily map the faders to the tracks of your favourite DAW.  Alternatively, a MIDI driver is available for use with the Ethernet port.

Qu-Drive

Forget soundcard drivers and software setup, Qu-24 has an integrated multitrack USB recorder, providing 18 channels of 48 kHz 24 bit recording and playback straight to / from your USB hard drive.  Capturing multitrack recordings of your shows has never been so easy.  A selectable stereo pair can be recorded alongside 16 Mono channels, and multitrack audio can be played back to 16 Mono channels plus ST1.  On top of this, Qu-Drive also provides stereo recording, patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.

ARMed to the Hilt

The Qu-24 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback, Ethernet and fader automation.  Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response.  The mixer's DSP farm exploits next generation dual core DSPs.  With plenty of DSP power under the hood the channel processing is only using a fraction of capacity, so Qu-24 is future-proofed, with ample room for updates and extra functionality.  The Qu DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.

The Shape of Things to Come

Made from 18 gauge, cold-rolled Zintec steel, Qu-24's distinctive frame is designed for strength and rigidity.  Allen & Heath did unspeakable things to that chassis in the lab and it's taken everything they've thrown at it – even being stomped on by their resident ex-tank commander.  Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by the whirring of fans coming from the mix position.  The Qu-24's sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.

Qu-Pad

Add the Qu-Pad iPad app to your Qu setup and you're free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience.  Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings.  Qu-Pad requires the connection of a Wi-Fi router or access point to the Qu-24 Network port.

ME Personal Mixing System

The Qu-24 is fully compatible with our ME Personal Mixing System.  Any number of ME-1 personal mixers can be chained from the dSNAKE port (or from an AR2412 Stagebox if you've got one connected to the dSNAKE port).  Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience.

dSNAKE

The Qu-24 is a self-contained mixer, so if you've already got the analogue cables you’re good to go.  If you're thinking of trading in the copper multicore for a Cat5 digital snake, Qu-24's dSNAKE port has you future-proofed, allowing connection to a remote AR2412 or AR84 Stagebox.  dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390 ft.  So if you're mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu-24 in the mix position.

SoftKeys

Qu-24 packs 10 SoftKeys for more user-assignable functions such as Mute Groups, Tap Tempo, Scene navigation or PAFL Clear.

4 Groups

Groups 1-4 are typically used as subgroups to LR for level masters and/or processing, for example to compress a drum kit or to tame multiple lavalier microphones with a single graphic equalizer.

The Matrix

The Qu-24's Matrix adds 2 further stereo outputs equipped with full processing to the console's extensive I/O.  It is a "mixer within a mixer," fed from any combination of Group 1-4, Mix 1-10, and main LR.  It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks and fill / zone speakers where independent GEQ and delay is applied.

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